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I would like to thank a special gentleman from England for his unconditional help.
![raul de souza sweet lucy rar raul de souza sweet lucy rar](https://fasrma778.weebly.com/uploads/1/2/5/2/125283173/625933855.jpg)
Also special thanks go to George Polychroniou (G.Poly) a huge collector in Greece. First and foremost I want to thank my friend Nicolas Drosos who has been always a friend and a brother to me. I would like to thank some special friends and people who helped me a great deal. Thanks.įor this reason I don’t share my tracks – you can listen to them only.Īlso there are many collectors and bloggers who are after rare records without paying any attention on the quality of the tracks. Anyone of you – after a reasonable period of time – is capable of presenting them as their own stuff. But honestly I want you to answer to one question (not to me but to yourselves). Perhaps it’s not the same when someone owns a record compared to another who has only the tracks. I don’t think it’s fair for some of us to pay in order to buy the records and others to find them free through Blogs. Yet, I would like to complain because some bloggers share entire albums with others whether they have the records or have the tracks from other bloggers. Here you will find outstanding topics so you can enrich your knowledge and be entertained as well.
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Through this space, I want to promote fine Soul, Funk and Jazz music (rare or not rare). I uploaded this Blog because I love music. I have chosen a brilliant instrumental entitled " Fortune". In this album great musicians helped Raul de Souza like Byron Miller on bass, Roland Bautista on guitar, Bobby Lyle on piano, Harvey Mason & Leon “Ndugu” Chancler on drums and Azar Lawrence on sax. Both Sweet Lucy and de Souza's second Capitol date, Don't Ask My Neighbors, were produced by George Duke. The trombonist, who also appeared on '70s albums by Sonny Rollins and Cal Tjader, signed with Capitol in 1976, and his first Capitol session, Sweet Lucy, was released the following year. Born in Rio de Janeiro, Brazil, on August 23, 1934, de Souza was employed as a sideman by some of Brazil's musical heavyweights in the '70s, including Sergio Mendez, Flora Purim, Airto Moreira, and Milton Nascimento. De Souza, although essentially a jazz artist, was quite versatile - he played his share of fusion, pop-jazz, and Brazilian jazz, but could also handle funk and disco. Raul de Souza was a Brazilian trombonist who kept busy in the '70s but faded into obscurity in the '80s.
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